fuck-yeah-monsters-and-villains:

THE TAMING OF THE SHREW by William Shakespeare

Renowned as Shakespeare’s most boisterous comedy, The Taming of the Shrew is the tale of two young men, the hopeful Lucentio and the worldly Petruchio, and the two sisters they meet in Padua.

Lucentio falls in love with Bianca, the apparently ideal younger daughter of the wealthy Baptista Minola. But before they can marry, Bianca’s formidable elder sister, Katherine, must be wed. Petruchio, interested only in the huge dowry, arranges to marry Katherine -against her will- and enters into a battle of the sexes that has endured as one of Shakespeare’s most enjoyable works.

Check out this book on Goodreads: The Taming of the Shrew https://www.goodreads.com/book/show/47021.The_Taming_of_the_Shrew

Reylo vibe recommendation by @geminidragonjasminealexandra

There are so many movies about and inspired by this play that I thought it’s better to post the original.

Occasional self reblog

jedi-devilry:

abloodymess:

I’ll stop quoting him when I’m dead. 

Text version: I live in a world that is completely seamless between the two. Fantasy is the real story. The world in which we live is structured from notions that are completely fabricated; your clothes, your wallet, that we all agree that pieces of paper are worth something. Geography is a complete fabrication. Where does Mexico start and America end? From space, nowhere. We agree to kill each other, to tax each other, to shame each other from notions that are complete fabrications. To me, those are harmful fantasies. Whereas my fantasies are liberating.

– Guillermo Del Toro on Reality and Fantasy

fuck-yeah-monsters-and-villains:

WINTERSONG by S. Jae-Jones

Beware the goblin men and the wares they sell.

All her life, nineteen-year-old Liesl has heard tales of the beautiful, mysterious Goblin King. He is the Lord of Mischief, the Ruler Underground, and the muse around which her music is composed. Yet, as Liesl helps shoulder the burden of running her family’s inn, her dreams of composition and childish fancies about the Goblin King must be set aside in favor of more practical concerns.

But when her sister Käthe is taken by the goblins, Liesl journeys to their realm to rescue her sister and return her to the world above. The Goblin King agrees to let Käthe go—for a price. The life of a maiden must be given to the land, in accordance with the old laws. A life for a life, he says. Without sacrifice, nothing good can grow. Without death, there can be no rebirth. In exchange for her sister’s freedom, Liesl offers her hand in marriage to the Goblin King. He accepts.

Down in the Underground, Liesl discovers that the Goblin King still inspires her—musically, physically, emotionally. Yet even as her talent blossoms, Liesl’s life is slowly fading away, the price she paid for becoming the Goblin King’s bride. As the two of them grow closer, they must learn just what it is they are each willing to sacrifice: her life, her music, or the end of the world.

Check out this book on Goodreads: Wintersong (Wintersong, #1) https://www.goodreads.com/book/show/24763621-wintersong

I really like this book. It reads a little bit like Labyrinth fan fiction. Of course it features original characters. But the author is actually pretty upfront about it.

Occasional self reblog