claudiagray:

thepaige-turner:

ig: thepaige_turner

It’s DEFY THE WORLDS launch day! Hit your local bookstore to find out what happens next for Abel and Noemi. Separated by the Liberty War for the independence of planet Genesis, Abel and Noemi have an entire galaxy between them. When Earth strikes at Genesis through biological warfare, however, Noemi is forced to venture back into the greater galaxy in an attempt to find help. But doing so puts her incredible danger–from which only Abel may be able to save her. Yet Abel knows that stepping forward to help means exposing himself to his creator, Burton Mansfield, who will stop at nothing to reclaim Abel for his own. 

Did I mention DEFY THE STARS is $2.99 on all online platforms this week? BECAUSE IT IS. Time to plunge in, people! 

Soldier girl and robot boy are back!!!!

corseque:

only things I care about

  • monster romance
  • shitty wizards
  • grown men crying
  • that moment when you and your hot fated sworn nemesis meet on the grand last battlefield that has turned all you both know to corpses and ash, and you think for a moment, swords drawn, that you’ll finally have to end the long dance and kill each other — but no, you can just see your sacred enemy’s eyes are mirrors of your own, your true and only equal, their pain is your pain, and so you finally lay down your weapons, relent and bend and kiss at the end of the world

#everything else is boring

EDWARD SCISSORHANDS (1990)

A gentle man, with scissors for hands, is brought into a new community after living in isolation. (IMBD)
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Reylo vibe recommendation by @ewa-jednak-chce-spac.

Themes like abandonment, being a highly talented outsider and therefor being used and abused as well as the star-crossed lovers trope are interwoven in this heart-breaking story.

Do you have a REYLO VIBE recommendation? Submit or contact me!💙💙💙

thenovl:

Get ready to DEFY THE STARS on April 4th! Check out an excerpt of Claudia’s new interstellar adventure series over on Entertainment Weekly.  

DEFY THE STARS by Claudia Gray

Noemi Vidal is seventeen years old and sworn to protect her planet, Genesis. She’s willing to risk anything—including her own life. To their enemies on Earth, she’s a rebel.

He’s a machine.

Abandoned in space for years, utterly alone, Abel has advanced programming that’s begun to evolve. He wants only to protect his creator, and to be free. To the people of Genesis, he’s an abomination.

Noemi and Abel are enemies in an interstellar war, forced by chance to work together as they embark on a daring journey through the stars. Their efforts would end the fighting for good, but they’re not without sacrifice. The stakes are even higher than either of them first realized, and the more time they spend together, the more they’re forced to question everything they’d been taught was true.

Check out this book on Goodreads: Defy the Stars (Constellation, #1) https://www.goodreads.com/book/show/31423196-defy-the-stars

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There are some pretty strong reylo vibes:

Naomi is capable and strong willed but has almost no sense of self worth. Orphaned at an early age she never had the feeling of truly belonging somewhere. After losing the only person she truly connected with she’s ready to sacrifice herself to change the outcome of a battle to buy her people more time in an ongoing war.

Abel is an android, constructed and groomed to fulfil one specific purpose for his creator. Abandoned for decades on a space ship he knows the meaning of loneliness. Yet when Naomi frees him and his programming demands that he accepts her as his new master his main objective stays the same. Find his true master and seek his approval.

Both Naomi and Abel travel together on a risky mission to turn the outcome of the war. Slowly they find out that they are more than the sum of their parts, more than their upbringing or programming.

THE MASTER AND MARGARITA by Mikhail Bulgakov

Mikhail Bulgakov’s devastating satire of Soviet life was written during the darkest period of Stalin’s regime. Combining two distinct yet interwoven parts—one set in ancient Jerusalem, one in contemporary Moscow—the novel veers from moods of wild theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as the meeting of Pilate and Yeshua, and the murder of Judas in the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central characters, Woland (Satan) and his retinue—including the vodka-drinking black cat, Behemoth; the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master, and his passionate companion, Margarita—exist in a world that blends fantasy and chilling realism, an artful collage of grotesqueries, dark comedy, and timeless ethical questions.

Though completed in 1940, “The Master and Margarita” wasn’t published in Moscow until 1966, when the first part appeared in the magazine “Moskva.” It was an immediate and enduring success: audiences responded with great enthusiasm to its expression of artistic and spiritual freedom.

Check out this book on Goodreads: The Master and Margarita https://www.goodreads.com/book/show/117833.The_Master_and_Margarita

Reylo vibe recommendation by @ewa-jednak-chce-spac

dreamingsnowflake2013:

“He said he’d give me what I wanted. Hae Soo, you said so too. You said Wang So would give me this gift.”

In that moment when So believes that Hae Soo has been toying with him, that she has made fun of him and betrayed his trust, something inside him breaks. The look he gives her is completely numb except for two emotions – accusation and pain. It must hurt him so much more because just mere minutes ago he was experiencing such happiness, only to fall into the deepest pits of misery now. And all Hae Soo wants to do is to stop him, help him, tell him she didn’t do this to him, but she can’t and So wouldn’t probably let her right now, so utterly numb with pain he is. It must have taken him every ounce of his strength and willpower to take down the mask, untying the strings out of sheer, stubborn pride as his lips quiver and eyes shimmer with unshed tears and shame. It’s the second time we see So without his mask, but the first time during the day. There is no steam or darkness obscuring the view, instead, the rays od sunshine are merciless and unflattering to him as they finally reveal how raw and pronounced it really is. As if the light made it even worse after it’s been covered for so long under the darkness of his mask.

When the mask comes off he protects himself with an armor of numbness and indifference (Never had so many people seen his scar and it must be unbearable for someone so proud and self-conscious like So – you can see how utterly exposed and vulnerable he feels.), but it cracks more and more with each averted gaze and disgusted look until it shatters completely. First comes expectation, then confusion, then a lost look and then sheer anguish and pain as his heart shatters, until finally his self-preservation instinct kicks in and he hides it all under a wry smile (it’s directed at himself, for being so stupid to hope even for a second they they could accept him) and a mask of nonchanlance, false bravado and cynism, but it’s almost frightening how transparent that facade is, ready to shatter under the weight of too much scrutiny. And it does shatter the moment So notices the look in HS’s eyes – he looks down at her with so much coldness and defiance, as if he was daring her to look away, to show how disgusted she is with him, but she never does, she never looks away from him, she never wavers. What So sees in her eyes rattles him, shakes him and breaks him even more than his siblings’ reaction – IT’S ACCEPTANCE, COMPASSION AND SYMPATHY BECAUSE SHE CARES ABOUT HIM, BECAUSE SHE IS SUFFERING WITH HIM, BECAUSE SHE CAN’T BEAR TO SEE HIM HURTING SO MUCH. IT MAKES HIM GASP IN SHOCK AND STUMBLE AS THE SHEER FORCE OF WHAT HE SEES THERE SENDS HIM REELING BACK. With her he can’t control himself, he is utterly confused and helpless and all he can think about is to get away from it – from her, from the emotions she inspires in him.

His siblings reaction is terrible from our modern point of view, but understandable and expected in the era they live. They are not cruel or evil, well most of them are not, Eun might be just too trusting and naive, but not evil.It’s caused by the way they’ve been brought up – SUPERSTITIONS HAVE LITERALLY RULED THE LIVES OF KOREANS FOR THOUSANDS OF YEARS – and they have been virtually breastfed these superstitions and prejudices – so their utter shock is understandable. Still, I love how Moo sticks up for So and is ready to fight for him, and Baek Ah as well (he averted his gaze as the first one, never even looking at So’s scar and I think it’s because he couldn’t bear to watch his brother’s pain and humiliation).